THE OTHER

That’s why we used as the main charachter the community and center our gaze in that peasant, that helpless, that in the film is named as “the other” and is constantly depicted with the shot from behind.

The shot of the character without a face, that takes us to the very idea of ​​character as a reflection of the self, the shadow that ties us to the collective unconscious.

Faced with the chaotic freedom that cinematographic language gives us to always seek narrative efficiency, we preferred to focus our gaze on a single character at a time and anchor our point of view to gain subjectivity and expressiveness.

Simplify to resignify and at the same time revalue the elements of language.